I make words come alive

Links to more of my words online.

Music is my drug of choice

I can't live without music.

Photos

I'm far from a pro, but I love taking photos.

I vlog

Have a look at my videos. My accent gets all sorts of messed up on them.

Friday Poll

What's the next Friday Poll? Not sure. Read about the past ones as you wait.

Monday, March 7, 2011

kashmir v


Kashmir: What did we get ourselves into?

Editor’s Note: Susan Fujiki was born in Australia, met her American husband in Japan, and is currently raising two rambunctious kids in Stevenson Ranch. Before making a life in the SCV, she traversed the world to amaze her eyeballs, tantalize her nostrils, and confuse her taste buds. These are her stories.

Oh, and don’t forget to read her story with an Australian accent. It’s so much better that way. Trust.

[by Susan Fujiki]
Cranking life up to 11

This is part five in a 10-part series.
(Read parts one to four here if you missed them. )

Hear ye, hear ye. No bombings today please. Sacrifices, on the other hand, are optional.
I’ve traveled the world wearing a Dorothy the Dinosaur beanie (she’s a character from the Australian children’s musical group, The Wiggles). The beanie served three purposes.
One: it kept my hands warm. Two: it protected my camera. Three: it hid my bleached blonde hair.
As we walked around Srinagar decked out in the oh-so-fashionable grey phirans to blend in, I wore my beanie to try to look like a guy—from a distance at least. Rape has never been high on my scale of desired life achievements and I’d be lying if I said I wasn’t scared of being held at gunpoint and being dragged off, never to be seen again.
I make light of it now, but the entire time we were in Kashmir I was terrified.
Word must have hit the village that tourists were coming and a memo sent out informing everyone to be on his or her best behavior. When my husband and I arrived, it seemed as if everyone walked the streets … and by everyone I meant men and kids.
No women. Not one.
We got off the shikara and were greeted by kids insanely curious about us. They pointed and laughed and said hi. Our tour guide Mr. Connery led us through the village to expose what daily life in Kashmir consisted of. We walked through a small market next to the lake full of men slanging fish, lotus root, spices and wary glances.
Talk about uncomfortable. I felt like a show dog, eyes wandering up and down my body. I concentrated on the kids since they helped my heart stop racing. I trusted them. They couldn’t hurt me. Not badly, at least. I felt safe traveling on the houseboat. But once I stepped off that safe bubble, the reality of traveling in a freaking warzone brought out other feelings. We weren’t supposed to be here. As a woman, I wasn’t supposed to be here.
We continued walking, Mr. Connery trying to explain things in his broken down English. The market was full of … stuff. Here we have Kodak film for sale, maps of the lake, baskets, pots, baskets with pots of ash inside. There we have a mosque. Over there we have soldiers playing cricket.
Wait, what?
Three Indian soldiers ran around playing cricket in their army green uniforms and leather jackets. With their guns set aside on the ground, one soldier batted, one bowled and the other fielded. “Howzats!” galore were shouted and they played with the same boyish enthusiasm as the kids playing in the street next to them. Mr. Connery motioned us to join the game. HA! No thanks. My husband Jay hit a couple balls but was then bowled out and left the game gracefully. No need to start any macho man argument with those who have guns.
The mosque’s single white tower signaled for the call to prayer just as we returned to the shikara. It was beautiful and at the same time, haunting. We heard it often at the religiously designated times during our stay in Kashmir. I’m not particularly religious, but it moved me every single time. There was just something about the chanting that I felt inside. I didn’t understand it, but I didn’t need to.
Mr. Connery never stopped to pray while he was with us. Neither did Shafi, but Shafi was Tibetan so that made sense. Mr. Connery, on the other hand, was Muslim. I didn’t know why he didn’t pray, but I was glad he didn’t. The fact that he continued about his business made hearing it more comfortable for us as we felt free to do the same.
As soon as I stepped foot back into our shikara, my shoulders loosened up and a wave a comfort rushed through my body. As we floated on the water, I felt calm for the first time since we’d arrived. No more men. No more eyes staring. No more fear.
The longer I gazed out at the Himalayas the more entranced I got. To make sure it was real I dipped my cold fingers into the water and dragged them across to break the flat surface. It was real all right, and really cold. I grabbed the ash pot tightly, looked up and watched the eagles soar through the sky.
“You are very lucky (again) to see how the people were living and see a real festival while you are in Srinagar,” Mr. Connery said to us with his deep booming voice. “A festival full of excitement and feasting!”
A festival? That sounded okay, I thought. I like festivals.
“Eid ul Adha! Muslim festival of sacrifice!”
And in an instance, my natural high disappeared.
I pulled Dorothy the Dinosaur over my eyes.

To be continued next Sunday…

Susan Fujiki has lived in the SCV since 2004. She writes and blogs, mostly because she is high on caffeine. She has no intention of stopping. Visit her blog at www.susanfujki.com, follow her on Twitter @kungfupussy or e-mail her at susanfujiki@gmail.com.

Published in the 5th issue of altSCV


Sunday, March 6, 2011

scv wine fest interview

I found it - our interview for Eve from the SCV Wine Fest.



This is from Eve's Wine 101 website here.

Saturday, March 5, 2011

foodtruck fest

Foodtrucks, graupel and boba juice. Last Saturday we went to the SCV Foodtruck Fest. 



Created with flickr slideshow from softsea.

Friday, March 4, 2011

Meet Kreativ

Remember that VO narration thing I did?


Kids, this is a big deal as we don't have anything like this available out here in the SCV so please support them in kickstarting this brilliant project. It doesn't take a lot to be a backer and keep in mind there are a lot of us out here who will really benefit from it, including myself. I 100% support a place where I can write and I don't have to see laundry on my desk, dishes in the sink or toys under my feet.

Kickstarter - Kreativ - A Cooperative Workspace. Go here to learn more. 

Thursday, March 3, 2011

#fridaypoll - best tarantino

I am incredibly lucky to have a handy dandy guest blogger to discuss this week's Friday Poll. A humongous thank you to Robert Magness, a fellow altSCV'r and an all round brilliant person. This week's Friday Poll comes from @evie618 who is a massive Tarantino lover, like myself and like Robert. We debated if we were going to do the films he wrote, produced but decided to stick to the ones he directed. There was talk on the twitters from the get go about which ones were the best. We have cut it down to this list that you have the difficult task of choosing the best from:

Reservoir Dogs
Pulp Fiction
Jackie Brown
Kill Bill 1
Kill Bill 2
Death Proof
Inglorious Basterds

On a personal note I am biased as Reservoir Dogs changed my life. 
Please, enjoy Robert's words and a HUGE thanks to him for writing this:



TARANTINO

                Quentin Tarantino is one of the reasons I want to make films.  If you were cool enough to read my article in altSCV, you would say “Hey, I thought you said Kevin Smith was one of the reasons.”  And I would say “Yes, he is one and Tarantino is another one.”  Clerks was the first time I watched a movie and felt that the overarching themes related to me.  Pulp Fiction, around the same time, was the first film that genuinely surprised me and felt like a mix of all my favorite things in one film. 
                I instantly glommed on to everything the man had done (at that point, not much) and followed his career closely since then.  I will admit, I missed Inglorious Basterds when it was running theatrically (damn kids).  But I made up for it on a glorious Blu-Ray viewing.  Every one of his films has felt like a breath of fresh air: no matter how bad the day is going, my life is going, or cinema is going (man there are some bad stints) I walk out of a Tarantino film filled with hope (strangely).
                So, I will go through each film for you and why they are awesome.  I will also admit which one I think is his best (and my favorite).

RESERVOIR DOGS:
                Ironically, this Dogs reminds me of England.  My travelling buddy, Billy, had not seen it.  Loving Pulp Fiction, and quoting it daily, I had a responsibility as a friend and fan to make him watch this.  The hell with the Queen and her damn dundies, this man had not seen Reservoir Dogs and he needed to see it!  We watched it once a day while were there.  And then I got to see him taunt a drunk brit in a pub with “are you going to bark all day doggy, or are you going to bite.”  It worked.  The guy backed down.  It lended amazing credibility to Tarantino’s badass dialogue.
                As a film, it’s a lot of fun.  It’s all dialogue and it moves spectacularly.  And the ear sequence?  Who doesn’t love that?  Wes Craven walked out of a screening because he felt that scene was too intense.  When a film you make forces a king of horror to leave the cinema, you’ve succeeded.  As awesome as Steve Buscemi is in Boardwalk Empire and everything else he ever does, I don’t think he’s ever been better than here.  Watch it again.  Who carries the movie?  Him. Sure, Keitel and Roth are the main center, but watch how Buscemi really carries the film (and steals it).

PULP FICTION:
                This was the first one I saw.  So much of what I’ve written partially stems from the style and voice of this film.  I love it.  I’ve seen it so many times I can sometimes hear a sound effect and tell you the exact part (Star Wars holds this prestigious honor, too).  I won’t spend too much time on this one because we’ve all read the fiction; we all know the movie. 
                What astounded me, though, was that  my film school professor, Dr. Drew Casper, put it in the best light.  The whole film is about cinema.  Observe all the different genres, the different styles, the different homages.  The film is Tarantino’s love letter to the movies.  At first, I took that as a disparaging remark.  How dare he insult this original classic.  And then I watched more movies—many of them recommended by Tarantino himself (in interviews)—and I realized that Dr. Casper was right.  Tarantino even said, this movie has so many other movie elements that it’s him showing off.  Looking at it through that lens, I realized why I loved it so much: it had so many elements of movies I had seen and loved that I got it; I understood it.  That moving picture is awesome!

JACKIE BROWN:
                I didn’t care much for this the first time around.  I wanted another Pulp Fiction.  I got something entirely different.  I let it go, chalking it up to hype and (gasp) him being a one-hit wonder.  Then a funny thing happened when it hit video:  I watched it again.  It was good.  Then I just had to watch it again the next day.  It was better.  I watched it again that same day (hey, I was avoiding homework) and it was phenomenal.  It became my favorite Tarantino film.
                It showed, actually, that Tarantino had matured as a filmmaker.  He wrote something not relying on the spectacle or genre blending nor his own zeitgeist.  He wrote a very mature, interesting film about wonderfully fleshed out characters.  Robert Forester’s sadness kills me.  I fell in love with Pam Grier, too.  To date, this stays my favorite.  Across 110th St. was better used in this movie than it was for its own movie. 

KILL BILL:
                This is Tarantino’s love letter to Sergio Leone and his spaghetti westerns.  True, it blends many other genres, mostly the Kung-Fu film, but the whole thing feels like a Leone Western.  Part I is great for the bloodbath and the violence; Part 2 is great for the dialogue.  It’s great how the whole story is a violent bloody mess and you’re expecting the final confrontation to be epic.  It is epic…in conversation.  While I don’t agree with Bill’s ruminations on Superman, I do appreciate the monologue.

DEATH PROOF:
                Leave it to a master of dialogue to give us one of the best car chases on film.  He takes every trick out of the book, uses it and turns it on its head.  Then, he does it without digital assistance.  This is one of my favorite arguments against overuse of CG.  The entire chase is credible and intense because we’re right in the fender and sucking down the dirt on the highway.
                Kurt Russell was robbed of an Oscar, or a nomination at least.  His was a creepy, fun performance of a twisted killer that you couldn’t help but like and then like to see kicked in the face. 

INGLORIOUS BASTERDS:
                Unfortunately, I missed this in the theaters.  Shame on me.  Life gets in the way, sometimes.  But on Blu-Ray, it was still phenomenal.  It’s got all of his trademark quirk and dialogue, but it also has a lot of heart.  What  you expect to be an ultra-violent story about revenge on Nazis is a very personal violent story about revenge against Nazis.  Again, he displays he knowledge of cinema and uses it as a method of expression (think of the final cinematic sequence). 
                I much prefer this ending to World War II than reality.  What satisfaction do we derive from Hitler dying in a ditch?  I like to think this is the way he was dispatched and it was all covered up by the US government.  And the ending?  I don’t often give filmmakers much leeway when they’re commenting directly on their own work, but when it’s masterfully done, I love it.  Ending the film with Aldo Rane’s “You know somethin', Utivich? I think this just might be my masterpiece” is him mugging to the camera through Brad Pitt.  And it works.  Is it his masterpiece?  I still stick with Jackie Brown, but he’s done a fine job.

                I know the inevitable question: is there anything of his you don’t like?  Yes.  His acting.  He really does stop a picture.  And when he doesn’t write it, it’s not much better.  I give him a pass on From Dusk Til Dawn.  That was okay.  But his talent—as a filmmaker/historian/entertainer—is best displayed behind the camera.  


- By Robert Magness.
Find him on the twitters @robertmagness or on his site - robertmagness.com

So what do you think? Which film is indeed the best? Do you have a favorite line or scene you want to share? C'mon let me know. Leave comments below! The fun really starts from 10am - 2pm Friday PST (psst, my birthday) on the twitters. Use the #fridaypoll hashtag and come fight for the film that maybe turns you into a bad m*therfucker.


Results:



Wednesday, March 2, 2011

almost wordless wednesday

Really honored to be a part of this.









More info is coming but for now stay in the loop via their website
Kreativ  - where all the cool kids go to work (or something like that)

UPDATE - See the finished work here

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